How to make a one man movie

how to make a one man movie

Feb 16,  · Expand your idea into a story by developing characters, creating a premise, creating conflict and action, and ending with a resolution to the story’s conflict. Write your screenplay. Screenplay: A screenplay will break up your story into scenes that are filmable. This makes the whole filming process easier. Apr 17,  · In a film script, about one page of text equals one minute of film. Decide how long you want your movie to be. If you are making a movie for a school project or festival you may have specific time limits. If this is just for fun, you might want to stick to a shorter script to make the movie 76%().

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From Wings to Parasitehere's a look back at all of the Best Picture Oscar winners in the history of the ceremony. See more Best Picture winners. Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Making the decision that he has to make, he then calls his wife, his sons, his co-workers and boss telling them the secret that he is bearing and trying to keep his job and family intact.

But even more importantly, he will have to face himself and the choices he has made. Written by Anne Campbell. A surprise at the 57th London Film Festival. A film where the whole story takes places inside the confines of a car, and with Tom Hardy as the one-man star. But just how well does it work? Tom Hardy, known best for majors roles in The Dark Knight Rises and Inception drops the theatricality and larger than life appearances and takes on the role of average man Ivan Locke, a building site manager, who over the past nine years has made his life as solid as the concrete he is in charge of pouring.

Concrete is his religion. On the eve of the biggest job yet, also Europe's largest ever - we follow his car journey from Brighton to Croydon as the world around him slowly crumbles and he loses it all. British Screenwriter and Director Steven Knight, brings us yet another gripping British drama, after previously making Hummingbird starring Jason Statham earlier this year. Clocking in at just under 90 minutes, Locke is refreshingly short and never over stays its welcome. The narrative is actually so constant that even when Hardy is not in hands- free phone switchboard mode, we capture another underlying story.

Locke provides just as much a character journey as it does a car journey. During the recent UK Premiere, producer Paul Webster recalls his initial talks with Steven Knight, in which he said; 'I want to do something quite different, in a confined space, about a guy whose life changes during the course of one car journey. And we never leave the car. Bringing an ideal mix of humour and emotion to the project, Hardy's taunt performance is mesmerizing.

The put-on Welsh accent is pretty decent also. Filmed in just eight nights and with very low budget, the film is literally a lesson of how unique and quite fantastic minimalist cinema can be. How to keep humidor humid In. Get a sneak peek of the new version of this page.

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Locke R 1h how to convert swf into avi Drama 9 October Netherlands. Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence.

Director: Steven Knight. Writer: Steven Knight. Added to Watchlist. From metacritic. Around The Web Powered by Taboola. Catching Up with 's Best. Sundance Spotlight Program. Top 10 Stars of Create a list ». Filmes em See all related lists ». Share this Rating Title: Locke 7. Use the HTML below. You must be a registered what certified pre owned mean to use the IMDb rating plugin.

See more awards ». See all 7 videos ». See all photos ». Edit Cast Complete credited cast: Tom Hardy Ivan Locke Olivia Colman Bethan voice Ruth Wilson Katrina voice Andrew Scott Donal voice Ben Daniels Gareth voice Tom Holland Eddie voice Bill Milner Sean voice Danny Webb Cassidy voice Alice Lowe Sister Margaret voice Silas Carson Doctor Gullu voice Lee Ross PC Davids voice Kirsty Dillon Gareth's Wife voice See full cast ».

Edit Storyline Leaving the construction site on the eve of a major project, construction manager Ivan Locke receives news that sends him driving the two hours from Birmingham to London, but even further from the life he once knew. Plot Keywords: driving marital trouble birmingham england break up over the phone cheating husband See All 68 ».

Genres: Drama. See all certifications ». Parents Guide: View content advisory ». Edit Did You Know? Trivia Ivan Locke's cold was written into the script because actor Tom Hardy had a cold during production. See more ». Goofs Locke talks about metric tonnes of concrete as being the largest concrete pour in Europe ever apart from nuclear and military facilities.

Concrete is calculated by volume. Many projects exist where over 3, how to make a one man movie metres has been poured in a day about 6, tonnesso tonnes isn't something a decent sized company would get too excited about, and you could probably complete it in hours with just one concrete pump.

Quotes Ivan Locke : You know what? I could just drive around the M into Dover or some-fucking-where and not face it, couldn't I? And just earn good money, cash in hand, working on the cross rail. They make five hundred a day just shoveling shit. Shoveling shit about like you. No, I'm going to drive straight to the worst place for me - the worst place on earth for me to be, even though this I felt sorry for her, you know?

I felt sorry for Was this review helpful to you? Yes No Report this. Q: How many phone calls does Ivan Locke recieve during the whole movie? Language: English.

Apr 18,  · Directed by Steven Knight. With Tom Hardy, Olivia Colman, Ruth Wilson, Andrew Scott. Ivan Locke, a dedicated family man and successful construction manager, receives a phone call on the eve of the biggest challenge of his career that sets in motion a series of events that threaten his carefully cultivated existence. Jan 27,  · If the other person likes movies, tell her that you two should go see one soon. If the other person expresses interest, be sure to turn the interest into an actual plan. For example, instead of leaving it at “yeah, we should go to a movie sometime,” you should say “Casablanca is playing at the independent cinema at PM on Thursday Views: 1M. How to Make a Monster. Unrated | 1h 13min | Horror, Sci-Fi | 1 July (USA) When a master monster make-up artist is sacked by the new bosses of American .

Last Updated: May 22, References. This article was co-authored by Kendall Payne. Kendall specializes in directing, writing, and producing comedic short films. There are 10 references cited in this article, which can be found at the bottom of the page. This article has been viewed , times. You have a camera, an idea, and everything you need to make your movie, but no actors or crew to help you film it. Whether you're bored and want to film something, want to jazz up a school project, or want to kick off your video career, there are a lot of great ideas you can film without another soul around to help.

Expert Trick: When you first start making films, you're not going to have a lot of skills, and you won't have access to a lot of equipment.

However, it's important to know that it's okay not to have everything—nobody is expecting you to make a Sundance-worthy film on the first try. Just shoot with whatever you have and put it out there, and hopefully someone will see it and recognize your potential. If you want to make a movie with one person, focus on simple, filmable concepts.

Sure, you might not have a full cast and crew to make a big budget film, but many filmmakers have used that limitation as inspiration for some creative workarounds. For example, use artistic expression to make video diaries or abstract videos that experiment with color or sound.

If you have the time and focus, grab clay or even action figures and create a stop-motion animation film. No matter what kind of movie you make, take advantage of being alone by taking as much time as you need to get the best shots.

For more tips, like how to edit your movie by yourself, read on! Did this summary help you? Yes No. Log in Social login does not work in incognito and private browsers. Please log in with your username or email to continue. No account yet? Create an account. Edit this Article. We use cookies to make wikiHow great. By using our site, you agree to our cookie policy. Cookie Settings. Learn why people trust wikiHow.

Download Article Explore this Article methods. Tips and Warnings. Related Articles. Article Summary. Method 1 of Come up with a simple, filmable idea. Making a movie by yourself means you'll have to strip away any other actors or any scenes that need multiple people to run. This eliminates most special effects and dialog, unfortunately. But these limitations can be liberating, leading to unique and creative workarounds.

Some ideas to consider filming are: Art Films: Pioneers like Sadie Benning and Bruce Nauman have made huge contributions to the art world with nothing by a camera and a willingness to experiment. You can do anything from video diaries to abstract videos exploring color or sound. Check out the free Video Data Bank for inspiration.

Short Documentaries: All you need is a camera and a microphone and you can be on the street interviewing and grabbing footage. Talking Heads: Popular on YouTube and in shows like The Office, this is just you talking to your camera, delivering a monologue or performing a sketch. Sometimes this video is set next to a movie or game you are commenting on. Stop-motion: Though time consuming, stop-motion is one of the few places a filmmaker can make a professional-looking film all by themselves.

Write out a basic script. It doesn't need to cover the entire story if you are working with a loose idea, but having some ideas of paper will guide you when filming starts. Almost all videos tell a story, in some way shape or form, and almost all stories are broken into three parts: The Beginning: Set up the world of your video. It can be you, the character, the location you're shooting on, or simply a color or mood you want to explore. The Conflict: Something disturbs, changes, or morphs the original set-up.

For art films or smaller pieces, this might just be a change of pace or the introduction of a new theme. The "story" is told through this change. The Resolution: How does your story end, what is your message or thought? Some stories just end, but this just implies that nothing has changed in the end. Round up your equipment. Lighting: One of the key differences between amateur-looking movies and professional ones is good lighting. Even clamp lights bought at Home Depot can be enough to get strong, consistent lighting in your movie.

Experiment with your camera until you know every feature. If you're making a movie on your own you want as many tricks up your sleeve as possible. Your camera is your best friend, and knowing how to manipulate it will be a big part of making your movie unique and original. The best way to learn is to play, but some things you need to look out for include: White Balance: This changes the "temperature" of your film, or the coloring.

A properly set white balance ensures that all of your colors look natural. While you can play with white balance to get different visual effects, this is often easier while editing. Lenses: Different lenses will profoundly change your shot composition.

Play with wide angles, fish eyes, and macro lenses to change up your visuals. Focus: Focusing takes a lifetime to master, and you should start now. Focus dictates what part of the shot is clear and which is blurry. Many cameras have automatic focus, but to make great films you need to manually control the focus. Method 2 of Focus on telling your story or idea visually.

Video is a visual medium, and while voice overs and text are great to get information across they are not incredibly compelling. If you're shooting alone you will not be able to use dialog, actors, or a ton of sound to tell your story. What you have, however, is all the time in the world to set up great shots, capture good video, and work on creating compelling angles. Have the mind of a photographer on every shot. Ask yourself if, on its own, the image is interesting.

Make a storyboard of your film. A storyboard is just the comic book version of your movie. They are invaluable ways to design your film, allowing you to "see" the movie before shooting. It then acts as your guidebook to the film. You can find and print templates online, or simply draw out your basic shots in advance with pen and paper.

Improvising for the camera has it's place, of course. But storyboards are a good way to plan where the camera should go. Use an external mic instead of the camera microphone. Camera microphones are notoriously bad, and they become useless when the camera is far away from the action. An external microphone will make a huge difference in your production quality, since most audiences notice bad sound before rough video. Shoot in short bursts, not long single takes, when getting lots of footage.

Make discrete, compelling "scenes" instead of turning the camera on and letting it run while you move around. This ensures that you think about each scene individually and it makes editing much easier. Stay in one place if you are filming yourself. Focus works by sharpening the image at one particularly distance from the camera. If you move around the camera will struggle to keep up, shifting focus or becoming blurry.

Put down a small piece of tape that tells you where you need to sit or stand for each take. Get times the footage you think you need. Films of any lengths are built in the editing booth.

The more raw material, or film, that you have to work with the happier you will be, and the easier it will be to make a great movie. Grab different angles of the same shot, run through different lines, or videotape your environment for atmospheric shots. Every extra shot counts. Take crazy angles, get weird, abstract shots of everyday objects, and really explore your area with the camera. You may not use the footage, but even grabbing one compelling shot out of will be worth it.

Method 3 of Edit your movie to tell your story or idea, not to be flashy.

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